I work with textiles and images, reflecting on interdependence, ways of seeing, and memory.
Woven cloth can be seen as analogous to social connections. Threads collaborate to form a flexible surface that offers shelter and a sense of belonging, no matter how different they are from one another. My works reflect on these tender, collective forces, requiring care and attention to maintain their integrity. Their strength lies in their vulnerability.
An image’s meaning is unstable, depending on context, much like the threads in a weave rely on each other. My images are fragmented, floating on fabric or arranged in close proximity. They don’t appear as singular entities, but are deeply enmeshed with their surroundings.
I work slowly, sifting through a vast image collection or pulling threads one by one from a piece of cloth. Undoing is central to my practice, be that the pattern of a weave or the organisation of an archive. I undo in order to resist an underlying structure.
fabienne.hess (at) gmx.ch
Instagram: fabienne_hess
b. Switzerland, based in London

The Algorithmic Pedestal, in collaboration with Oxford Internet Institute, J/M Gallery, London
I Need, Trust Me, Help Me, La Balsa Arte, Bogotá, Colombia

Entre Nos, La Balsa Arte, Medellín, Colombia
Between Poles and Tides, Talbot Rice Gallery, Edinburgh
Latent Surfaces, Like A Little Disaster, Polignano a Mare
TenderPixels.CorruptedFiles, Birch Contemporary, Toronto
Grand Magasin Deux, French Riviera, London
DAK’ART, Dakar Biennale for Contemporary Art, Dakar
Riff/t, Baltic Center of Contemporary Art, Newcastle upon Tyne
Open Day, Lugar a Dudas, Cali, Colombia
Excerpts from the Bastard Series, XVIIX.com, online
Jungkunst, Halle 52, Winterthur, Switzerland
We are Here, SPACE, London
Off Sight, British Film Institute, London
RCA Degree Show, Royal College of Art, London
Paradise, Salone Internzionale del Mobile, Milan

LUX looking, mediated (touring programme); OUTPOST, Norwich and Objectif Vidéo, Nice, France
Artist Talk, Talbot Rice Gallery, Edinburgh
Blackbox Festival, Seattle
Open Data Ecologies, Delfina Foundation, London
RIFF/T Closing, Baltic Center of Contemporary Art, Newcastle
Sturtevant Study Day, Serpentine Galleries, London

Wallpaper, review The Algorithmic Pedestal
Artnet News, review The Algorithmic Pedestal
Surface Magazine, review The Algorithmic Pedestal
Apollo Magazine, review The Algorithmic Pedestal
Forbes, review The Algorithmic Pedestal
New Scientist, review The Algorithmic Pedestal
Common Editions, artist book Zebras, Blanks and Blobs
Limn Magazine, The Total Archive, portfolio feature, issue 6
The Independent, Young Female Artists are leading the Pack, review Hits and Misses
A–N (The Artists Information company), review Hits and Misses
Red Hook Journal, Everything is Moving, review Bastard Series
BOMB Magazine, Trust me, portfolio feature
The Modern Painter, review Replica Sentiments, September issue
AQNB, review Replica Sentiments
Dazed Digital, review Replica Sentiments
Wax Magazine, Things, Not Water, portfolio feature, issue 5
Wallpaper, The Graduate Directory, portfolio feature, January issue
Gestalten, Culture Identities, portfolio feature
Royal College of Art, Useless; New Writing in Art and Design, portfolio feature

Collective Vomit, commissioned Baltic Centre for Contemporary Art

Burgauer Stiftung, Project Grant for artist book Dataset of Loss
UCL East, seed funding for knowledge exchange between researchers, artists and communities
Associate Lecturer at London College of Fashion, London College of Communication and Central Saint Martins.

Image archives (Bastards): Spectrum IV; Twin; International Klein Blue; Olympia; Who’s Afraid of Red, Yellow and Blue III; Impression, Sunrise; Black Square.
This website has been built with the help of Daniel Rothschild using jekyll.