I work with textiles, images, and archives, reflecting on collectivity, loss, and ways of seeing images.

Woven cloth can be seen as analogous to social connections. Threads collaborate to form a flexible surface that offers shelter and a sense of belonging, no matter how different they are from one another. My work reflects on these tender, collective forces. They are gossamer works, requiring care and attention to maintain their integrity. Their strength lies in their vulnerability.

An image’s meaning is unstable, depending on context, much like the threads in a weave rely on each other. My images are fragmented, floating on fabric. They don’t appear as singular entities, but are deeply enmeshed with their surroundings. They invite you to see beyond their surfaces, responding to even the softest air currents.

I work slowly, sifting through a vast image collection or pulling threads one by one from a piece of cloth. Undoing is central to my practice, be that the pattern of a weave or the organisation of an archive. I undo in order to expose an underlying structure.