I make fragile work: hangings of unravelled silk prints, networks of fine threads on paper, drawings on flimsy scraps of plastic. Fragmentation is at the core of my process. I make materials porous, undo the order of museum collections, reverse digital deletion.

I work slowly, pulling threads one by one from a piece of cloth or carefully sifting a vast digital archive. I’m searching for relationships: between people and their images, between a translucent material and its surroundings, between loss and potential, between a bunch of threads and vulnerability.