I am an artist working with textiles, images and collections.

My exhibitions with institutional collections reshuffle a collection’s priorities, attending to what is less visible, such as never-shown images or the people who care for a collection. My work with unravelled fabric reflects on vulnerability and my latest artist book is concerned with loss in algorithmic ways of seeing. Across these works, I am interested in the relationships that hold archives, textiles and people together.

I work slowly, sifting through vast image collections or pulling threads one by one from a piece of cloth. Undoing is central to my practice, whether it is the pattern of a weave or the organisation of a collection. I undo in order to examine an underlying structure, to loosen it, or to reconfigure it.