I make fragile work: hangings of unravelled silk prints, networks of fine threads on paper, drawings on flimsy scraps of plastic. Fragmentation is at the core of my process. I make materials porous, undo the order of museum collections, reverse digital deletion.



I work slowly, pulling threads one by one from a piece of cloth or carefully sifting a vast digital archive. I’m searching for relationships: between disparate photographs, between a translucent material and its surroundings, between the delicate and the chaotic, between system and chance.